“The Best Of Both Worlds” - The Carpet Crawlers in concert at the Stanley Theatre Liverpool Friday 13th May 2011. Review and photographs Alan Hewitt.
Well, it has been a long, long time since I was last inside the complex that
acts as the home for the Liverpool Guild Of Students. In fact, I was probably
still a student myself at the time - yes, I CAN remember that far back - just!
Anyway, here I was again in the company of a few friends to see yet another
gig by Liverpool’s very own Genesis tribute band: The Carpet Crawlers.
As mentioned previously, the band have undergone a few personnel changes recently
and tonight they featured another new face and an old one returning to the fold.
Whatever the line up, the sadly less than capacity crowd were evidently ready
for a good night as the band emerged on stage accompanied to the opening strains
of The Battle Of Epping Forest. Surprise number one: this was indeed to be the
set opener - a brave step and one which the band obviously relished. Singer
and multi-instrumentalist, Brian Cummins prowled round the stage like an angry
tiger while the rest of the band threw their collective muscle into a marvellous
rendering of this classic.
It was evident from the outset that this was an entirely different band to previous
incarnations. No nerves, and definitely nothing lacking in the performance or
rehearsal sides of things. Classic after classic from the Genesis cannon followed
with healthy helpings from Nursery Cryme, Foxtrot, Selling England By The Pound
and The Lamb Lies Down On Broadway. Particularly impressive were the treatment
given to the “Lamb Stew” medley which included several different
extracts from those usually expected.
I was particularly impressed by keyboards man, Andy Keegan who gave a mighty
performance on Firth of Fifth, even shrugging off the fluffed intro (well, if
Tony can fuck it up, then Andy is in good company!). With Brian’s vocals
augmented by those of the band’s bassist Shaun Watt, many of the songs
took on a much fuller depth which stood out from previous performances that
I have seen by the band. And new boy Justin Parsons did a damn fine job on one
of Mr Hackett’s finest solos too boot!
Of course, we got Supper’s Ready too. And a truly delicious serving it
was as well. Another aspect of the show which certainly deserves a mention was
the impeccable lighting in the capable hands of Alec Morris whose work tastefully
illuminated the entire evening. More Fool Me was another delightful moment with
bassist Shaun Watt and Justin giving the rest of the band (and the audience)
a breather with this underrated slice of acoustic Genesis.
A short interval heralded the arrival of the “new” stuff as the
band took up the cudgels to tackle some of the better known tracks from the
band’s later era. Dodo/Lurker and Abacab were given the hard rockin’
treatment and went down a storm. With a rock solid rhythm section including
my old mate Neil Carter on drums, the band took no prisoners as they went to
town on these classics. Ripples too, was given a respectful rendering with special
kudos to the band’s new guitarist who took his chance to shine exceedingly
well. Brian’s voice too suited the Collins era material far better this
time round too. I’ve always thought his pipes were more in Gabriel’s
range but tonight he acquitted himself as Mr Collins admirably.
In The Cage too benefited enormously from Alec’s lighting and the medley
reached its usual dramatic climax with Afterglow which had its usual effect
on yours truly! The show ended in typically emphatic style as the band unleashed
themselves on Los Endos with Brian joining Neil on the “spare” drum
kit to battle away throughout and the encores included the band’s own
theme tune: Carpet Crawlers bringing the evening to an emotional close.
There you have it. I know I have forgotten to mention several of the tracks
which the band performed but without the benefit of a set list the old grey
cells aren’t what they once were. Nonetheless, what you have here is a
band who have matured beyond belief. Competent, confident and above all bloody
good entertainment value - excellent stuff!